G6 U2 – Where Do We Find Rhythm?

What is Rhythm?

Rhythm is a regular and repeated pattern, usually of sound or movement. When you think rhythm music is probably the first thing that comes to mind. In music, rhythm is created by alternating sound and non-sound over time. When notes and chords are played in predictable intervals we get rhythm.

How do we define rhythm visually? As a design principle we can say rhythm is the patterned repetition of elements in space. We place elements on the page and experience the intervals between them. Time enters as our eye moves from one element to the next and through this rhythm in space and time we can create a sense of organized movement similar to a musical beat.

There are a variety of places where you can find rhythm.

  • music — patterns of sound over timed intervals
  • dance — patterns of movement and gesture through physical space
  • speech — patterns of cadence in spoken words
  • writing — patterns of cadence written words
  • painting — patterns of brush stroke, color, shape, on a canvas

Notice the repetition of the word “patterns” in the list above. Pattern is essential to rhythm. So is repetition. The list above creates a rhythm though repetition. Visually each list item begins with a bullet. The bullet is then followed by a single bolded word, an mdash, and the words “patterns of.” Were I to add another item to the list you would expect it to follow the same predictable pattern.

Notice too, the slight variations created with the length of each line and by the links in a couple of the list items. These variations help break the monotony and add surprise and interest to the rhythm.

musical notation



Rhythm is Everywhere

Original Article with video


To listen, go to bostonglobe.com/soundtrack. Rhythm is everywhere. In the heartbeats of our chest. In the language we speak. In the footsteps of our stride. In the bump-bump of cars over uneven asphalt.

I remember a professor of mine recounting the day he got hip-hop; he’d been in Brooklyn, listening to the city pulse.

Much of what fills our ears has a meter, whether we’re conscious of it or not. I think about this every time I get gas, for instance. The pumps at my local Shell station perform a consistent, reasonably complicated pattern in disgorging their fuel.

I recently came upon another such cadence at Logan Airport. Returning from a trip, I went to collect my suitcase from the Terminal B baggage claim. As the belt on the carousel came to life, so did the beat: a series of clack-clacks keeping 4/4 time. Best I could tell, the pace was just above 50 beats a minute. Every once in a while the carousel would throw in a stray accent, but those, too, seemed to be in time.

I don’t know what makes the moving rubber plates sound like they do. I just know it makes their pedestrian task a bit more interesting.


3 Types of Rhythm

In design we alternate the positive element with negative space to create patterns, which we then repeat and vary to create rhythm. We create rhythm through:

  • repetition which creates patterns through predictability
  • alternation which creates patterns through contrasting pairs (thick/thin, dark/light)
  • gradation which creates patterns through a progression of regular steps

We’re creating rhythm almost immediately after we begin designing. it’s inevitable once multiple elements appear on the screen. We’d like that rhythm to be a little more planned instead of placing elements randomly though. There are 3 primary types of rhythm you can plan for.

  • Regular rhythm
  • Flowing rhythm
  • Progressive rhythm
10 windows on a building
Similarly sized and spaced windows create a regular rhythm

Regular rhythm — occurs when the intervals between elements, or the elements themselves, are similar in size or length. Regular rhythm repeats the elements over a predictable interval. Typically both interval and elements are consistent, though one or the other can be varied. The sameness of a regular rhythm creates a less interesting (though not necessarily boring) rhythm.

The regular placement of the same element is usually in a linear path. You can repeat color, shape, pattern or another characteristic of the element over a regular interval. To add more interest you can vary the interval (the space), which changes the pace of the rhythm.

You can also vary the characteristics of the element. You can keep size and shape constant while varying color or keep color and shape consistent while varying size. This variation adds some complexity, but also interest to the rhythm.

Ornamental grass
Ornamental grass creating a flowing rhythm

Flowing rhythm — occurs when the elements or interval are organic. The organic and natural patterns are used to create a feeling of movement. The elements could be organic over each interval or the interval itself could be organic.

Typically the element is unique, though similar, over each interval. A good example are the stripes on a tiger or zebra. No stripe is quite like the next. Seen together they create a rhythm of natural movement.

Fence posts forming linear perspective
Gradually decreasing the observed size of the posts and the space between them creates a progressive rhythm

Progressive rhythm — occurs when a sequence of forms or shapes is shown through a progression of steps. Here the elements repeat over an interval, but with more variation, usually in progressive steps.

Size, shape or color of the element might have stepped changes over each interval or the interval itself might vary. The steps should be progressive. The characteristics of the element should gradually increase or decrease creating a sense of direction over the sequence. The variation leads to more interest and visual tension and tends to direct the eye along the progression.

A color gradient is an example of a progressive rhythm. Gradually decreasing the size of an element as it recedes into the background is another. The latter creates linear perspective directing your eye to a vanishing point.

As a general rule you can add interest to rhythmic patterns by adding emphasis or contrast that interrupt the pattern at times. This could be a contrasting shape or color or drastically changing the size of one element.

Emphasis through contrast sets the element apart from the pattern and momentarily breaks the rhythm. It can be used to control how the eye flows through the rhythm. More emphasis on a single element makes the eye pause on it before continuing. Too much contrast of this kind can lead to discordance and chaos.

Repetition can also be used to create emphasis through sheer numbers. A lot of local repetition calls attention to the group of elements being repeated.

Staircase with wood steps


Whether you plan for it or not, as soon as you place multiple elements on the page your design will exhibit patterns and rhythm. Human beings seek patterns and will naturally see them in your work. We find regular and predictable patterns soothing.

We create rhythm in our designs by repeating and varying patterns over space. A good visual rhythm will lead the eye through a design. The predictability of the rhythm leads to anticipation, which directs visitors to follow.

Variation adds interest to rhythm. It avoids monotony and offers the occasional surprise. The most effective rhythms will provide some unexpected variations.

I’ve talked here about rhythm in more theoretical and abstract terms. I want to pick up the topic again next week talking a little more about the practical side of adding rhythm to our designs.


Three types of Visual Rhythm post


Where Does Our Sense of Rhythm come From?




HOMEWORK: Where do you hear Rhythms?