Why We Believe Teaching Grade One To Write Graphic Novels Is A Good Idea.

Our year long writing goal was to motivate children to write for intrinsic purposes. We noticed the children’s passion for graphic novels and observed them making their own comics in Free Inquiry Time and at home. The children were often taking graphic novels out of the library. As we were reworking our units of study for writing we decided to develop a graphic novel unit, which complemented our year long unit about illustrations. The children agreed this was a very good idea. This was not an easy option, writing graphic novels is a complex process and mentally challenging.

What special things do you notice about graphic novels?

The children wrote down everything they knew about graphic novels. We had a pile of books in the class which we had curated with our librarian Katy Vance, who came to our planning meetings. The books sat for a few days in a big basket, the children were desperate to  read them. Once we gave them the books they quickly took them off  and started discussing them. We read the graphic novels out loud and the children read them to each other.

We watched this video about graphic novels so the children could see the complex process involved in making a final product. We asked them whether they felt they could sustain this amount of effort. The resounding answer was YES!

The whole thing is interesting, the process starts at 1.36

 

Ideas Folder

The children have had an idea folder for most of the year. They developed this after watching a video about an author of the month, Oliver Jeffers, who shared his creative process. We believe in giving children time to doodle and draw. High quality ideas need time to grow and develop. We can not expect children to suddenly be creative and develop high quality pieces.

Story Line

The children quickly developed a story line because their idea folder was full of ideas. Some children brought in ideas they developed at home.

Manuscript

The most surprising part of the process for the children was writing the story before they drew it. We gave the children an A3 piece of paper and asked them to use a graphic organizer they had used twice before. The sequence Brainframe had three boxes: the setting and problem, trying to solve the problem and solving the problem. The children then added to their basic outline using: descriptive, emotion and sound words shown as circles coming off the boxes.

Throughout this process we meet as a class and had daily minilessons where we taught the conventions used in this format, these included: panels (the boxes the action takes place in), gutters (the space between the panels), speech and thought balloons, sound affects and captions (show, time, place and events). We used the work of published authors as examples. The children also found examples to share.

Character Development

On a spare piece of the BrainFrame the children developed their characters drawing how they: moved, felt and dressed.

The Storyboard

This was the draft of the final piece. This proved quite challenging for the children as they had to use their visual spatial skills. The children added perspective and movement to their drawings.Working out how to fit in the panels, the characters, captions and speech. The hardest part of writing a graphic novel is being succinct. It is hard to write less! The primary method of conveying meaning comes through the characters using speech to tell the story. The captions also need to be concise and tell the story or indicate time. The children inventively drew clocks to track time. The piece was edited by the child, a peer and a teacher.

The final piece penciling, inking and coloring

The final part of the process was to reproduce the graphic novel with no errors.  They then reedited the work and  inked over the drawing, adding backgrounds and color. The children found it easy to convey emotion through color as they had explored this in art class with Aaron Reed. The children also needed perfect spelling and lettering. This meant rewriting words, retrying spellings and getting the letter size correct. We used A3 paper as these are younger children who are learning to write. One child developed a ‘think paper’ to practice spelling, handwriting and developing characters expressions in a consistent form. We liked this idea so much we added it to our planner.

In conclusion

This was a highly challenging undertaking for the children. They had to persist with the process and redraft in three different forms, yet they kept going. They often sustained their concentration for 50 minutes when writing. We hope the children keep writing their own graphic novels. They show every sign of doing so.

Excellent books for teaching graphic novels

MUST HAVE Adventures in Cartooning James Sturm, Andrew Arnold and Alexis Fredrick-Frost

Adventures in Cartooning Characters in Action James Sturm, Andrew Arnold and Alexis Fredrick-Frost

Understanding Comics By Scott McCloud (A more academic book, only if you are geeky)

Published texts we used to mentor the children

The Big Wet Balloon By Liniers

Bean Dog and Nugget The Ball Charise

Little Mouse gets Ready Jeff Smith

Otto’s Orange Day By Jay Lynch & Frank Cammuso

Benny and Penny The Big NO-NO! By Geoffrey Hayes

Mr Badger and Mrs badger #1 The Meeting Brigitte Luciani Eve Tharlet (simple at children’s level)

The Zoo Book Ariel Cohn Aron Nels Steinke (very simple at kids level)

Mr Wuffles By David Weisner

Hippopotomister John Patrick Green

Silly Lilly and the Four Seasons Agnes Rosenstiehl

Luke on the Loose By Harry Bliss

Benny and Penny in Just Pretend Geoffrey Hayes

Mr Badger and Mrs badger #3 What A Team Brigitte Luciani Eve Tharlet

Tippy and the Night Parade Lilli Carre

Bird Cat Dog Lee Nordling & Meritxell Bosch

Squish Game on! Jennifer Holm & Matthew Holm

Stinky Eleanor Davis

Try an adult graphic novel for yourself

Zoe’s pick of adult graphic novels, they are a little dark. If you want something lighter and  fun go and ask Katy Vance in the library

Persepolis Marjane Saprati Growing up with the rise of the Islamic state in Iran

Maus Art Spielman’s Recount of growing up with holocaust survivors and relationship with parents, heartrendingly wonderful. Very manageable.

Blanket Craig Thompson Coming of age in an evangelical family and first love

Watchmen Allan Moore I love Moore, but this could blow your brains, it is highly complex panels, but is is BRILLIANT, more like a traditional comic

V for Vendetta  Allan Moore, More doable, excellent story

Batman The Dark Knight Returns Frank Miller The dark side of Batman, exquisite illustrations. It made me love Batman graphic novels. Dark and moody, flawed hero.

 

 

 

 

Author of the month, Oliver Jeffers.

Screen Shot 2015-01-12 at 1.47.26 PMThe author of the month  is Oliver Jeffers. We have chosen him because he creates beautiful stories from simple text, but very challenging ideas. The stories are poignant and convey emotion through words and illustrations. He is a great mentor author as his books offers us the opportunity to deconstruct fictional texts.

One of the areas of writing we will be focusing on will be creating fictional texts. We have begun to have discussions about elements of a fictional texts. The children are focused on character and Jeffers books will help us explore the narrative devise and problem and solution. The books will also help the children develop the vocabulary needed to convey emotion.

A wonderful video about the day in the life of an artist. How he captures ideas and creates books.

Oliver Jeffers Author Film 2013 from Oliver Jeffers on Vimeo.

We have begun discussing how people are inspired to entertain people and show their creativity.

Oliver Jeffers created a video for a U2 song.

Author of the month, Leo Lionni. Being inspired by others.

Screen Shot 2016-02-02 at 9.01.02 AMWe are beginning to think about a new genre of writing, narrative fiction. The children were rightly proud of all the forms of writing and book making they have created: poetry, illustrations and personal narrative.

Each month we take inspiration from other authors. This month we have chosen Leo Lionni. We have guided the children through a series of mini-lessons about what authors do to make their books interesting.

The children noted that Leo Lionni:

  • Uses illustrations such as think bubbles,repeating images, white space and cutting off an image.
  • Some pages have few words and some have lots of words.
  • The print is organized differently on each page.
  • Each book has a good idea and a great story.

About Leo Lionni Why Leo writes animal books, Leo’s inspiration

“From time to time, from the endless flow of our mental imagery, there emerges unexpectedly something that, vague though it may be, seems to carry the promise of a form, a meaning, and, more important, an irresistible poetic charge.”—Leo Lionni

Lionni started to write children’s books in 1959. He was on a train journey where he wanted to entertain his grandchildren.  This turned into a new career. He said it wasn’t always easy to get ideas but these are some of his ideas:

  • Picking a strong hero to begin with.
  • Starting with the end and making a suprise beginning
  • Pick a conflict or a big problem.
  • Doing a drawing which turns into a story
  • Sometimes words come into your mind and make a title.

 

 

 

Erik’s mum reads to us in Taiwanese.

These were hard clues!

Q1: What’s the meaning of your name?
My name means Good Book.
Q2: where do you come from?
I come from the country of the End of the world.
Q3: What do you like to do?
I enjoy letting my brushes and colors take me to an imaginative trip inside my brain and my heart.
Q4: What’s the meaning of your child’s name in your language?
My child was named after a sketch I made of a child with wings standing on top of rocky hills, looking down, thinking that he has all he choices in he world available to him if he decides to open his wings and fly.